Slags chat

Posted by / 20-Sep-2019 23:38

The main guy had a very self-hating arrogance, very typical of the Parisian male.It captured how Parisian men and women can be very free about hooking up but still not very gender-equality oriented.He starts off by weighing in on the new arrival and he's shipping Ovie and India. " As the episode continues Jack gives us his best Ovie 'message' impression. Then it's time to watch Curtis and Maura get cosy under the sheets...Then it's time for Greg's date with Amber and Jack is not impressed with his tactics. Moving on, Jack doesn't seem too impressed with the Irish accent.Communication with a number of people, rather than having to go back and forth between chats, with the premise being that you can make plans swiftly.Unfortunately it does none of these things, as when anyone suggests something to do it's always met with a flurry of "maybes", or "not sure", or maybe even "can't, with the missus". You might be the plan maker, or the banterless one, the elusive one, the one with the girlfriend, the impartial one or the constant victim of abuse.

To express his disgust Jack pours a glass of water over his head and for the next few videos we see him drying his couch off before sending a message to the show's producers.

Here, we chat about hot French TV shows (and what they’re lacking, in her opinion), what French folks think about and why she thinks France won’t have its own Lena Dunham or Mindy Kaling for a long time coming. Our most famous film screenwriters are all directors, such as Arnaud Desplechin and Christophe Honoré. The characters are a little stereotypical but, as the years tick off through WWII, it makes for interesting content.

I know you are no fan of “French TV versus American TV.” Is TV getting better in France? There’s a lot of ambition, with networks beginning to hire younger people who grew up watching American and British TV. As you hear a lot about French TV: “It’s good for something French.” There’s also an English-French co-produced cop show set in Paris called , a word that is like a conversational filler, like “So anyway …”, was a really short-format show, episodes of two to four minutes with a no-name main character. It was about a 30-year-old Parisian guy and his issues, with a real French spirit.

I’ve had many a conversation about American versus French pop culture with my Parisian friend Yaële Simkovitch, a script doctor who writes for Tess Magazine (sort of like a French Slate meets Jezebel), has hosted Paris fan summits for , and is the preferred translator of Joss Whedon when he comes to Paris.

Simkovitch knows the American TV landscape inside and out and has strong ideas about how it stacks up compared to French TV. There’s one show that’s not bad, It’s about a small village in France during WWII, with the Nazi collaboration but also the Resistance.

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